Tuesday 13 August 2013

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Funny Cartoons Pictures Biography
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Funny Cartoons Pictures is a funny animal cartoon character and the official mascot of The Walt Disney Company. He was created by Walt Disney and Ub Iwerks at the Walt Disney Studios in 1928. An anthropomorphic mouse who typically wears red shorts, large yellow shoes, and white gloves, Mickey has become one of the most recognizable cartoon characters in the world.first was seen in a single test screening (Plane Crazy). Mickey officially debuted in the short film Steamboat Willie (1928), one of the first sound cartoons. He went on to appear in over 130 films, including The Band Concert (1935), Brave Little Tailor (1938), and Fantasia (1940). Mickey appeared primarily in short films, but also occasionally in feature-length films. Nine of Mickey's cartoons were nominated for the Academy Award for Best Animated Short Film, one of which, Lend a Paw, won the award in 1942. In 1978, Mickey became the first cartoon character to have a star on the Hollywood Walk of Fame.Beginning in 1930, Mickey has also been featured extensively as a comic strip character. His self-titled newspaper strip, drawn primarily by Floyd Gottfredson, ran for 45 years. Mickey has also appeared in comic books and in television series such as The Mickey Mouse Club (1955–1996) and others. He also appears in other media such as video games as well as merchandising, and is a meetable character at the Disney parks.Mickey generally appears alongside his girlfriend Minnie Mouse, his pet dog Pluto, his friends Donald Duck, and Goofy, and his nemesis Pete, among others (see Mickey Mouse universe). Originally characterized as a mischievous antihero, Mickey's increasing popularity led to his being rebranded as an everyman, usually seen as a flawed, but adventurous hero. In 2009, Disney began to rebrand the character again by putting less emphasis on his pleasant, cheerful side and reintroducing the more mischievous and adventurous sides of his personality, beginning with the video game Epic Mickey.[5]Mickey Mouse was created as a replacement for Oswald the Lucky Rabbit, an earlier cartoon character created by the Disney studio for Charles Mintz of Universal Studios.[6] In the spring of 1928, with the series going strong, Disney asked Mintz for an increase in the budget. But Mintz instead demanded that Walt take a 20 percent budget cut, and as leverage, he reminded Disney that Universal owned the character, and revealed that he had already signed most of Disney's current employees to his new contract. Angrily, Disney refused the deal and returned to produce the final Oswald cartoons he contractually owed Mintz. Disney was dismayed at the betrayal by his staff, but determined to restart from scratch. The new Disney Studio initially consisted of animator Ub Iwerks and a loyal apprentice artist, Les Clark, who together with Wilfred Jackson were among the few who remained loyal to Walt. One lesson Disney learned from the experience was to thereafter always make sure that he owned all rights to the characters produced by his company.In the spring of 1928, Disney asked Ub Iwerks to start drawing up new character ideas. Iwerks tried sketches of various animals, such as dogs and cats, but none of these appealed to Disney. A female cow and male horse were also rejected. They would later turn up as Clarabelle Cow and Horace Horsecollar. (A male frog, also rejected, would later show up in Iwerks' own Flip the Frog series.)[7] Walt Disney got the inspiration for Mickey Mouse from a tame mouse at his desk at Laugh-O-Gram Studio in Kansas City, Missouri.[8] In 1925, Hugh Harman drew some sketches of mice around a photograph of Walt Disney. These inspired Ub Iwerks to create a new mouse character for Disney.[7] "Mortimer Mouse" had been Disney's original name for the character before his wife, Lillian, convinced him to change it, and ultimately Mickey Mouse came to be.[9][10] Actor Mickey Rooney has claimed that, during his Mickey McGuire days, he met cartoonist Walt Disney at the Warner Brothers studio, and that Disney was inspired to name Mickey Mouse after him.[11]Ub Iwerks designed Mickey's body out of circles in order to make the character simple to animate. Disney employees John Hench and Marc Davis believed that this design was part of Mickey's success – it made him more dynamic and appealing to audiences. Mickey's circular design is most noticeable in his ears, which in traditional animation, always appear circular no matter which way Mickey faces. This made Mickey easily recognizable to audiences and made his ears an unofficial personal trademark. Even today, the symbol "Mickey Mouse" is often used by the Disney Company to represent Mickey (see Hidden Mickey). This later created a dilemma for toy creators who had to recreate a three dimensional Mickey. In animation in the 1940s Mickey's ears were animated in perspective.Animator Fred Moore would later redesign Mickey's body away from its circular design to a pear-shape design. Colleague Ward Kimball praised Moore for being the first animator to break from Mickey's "rubber hose, round circle" design. Although Moore himself was nervous at first about changing Mickey, Walt Disney liked the new design and told Moore "that's the way I want Mickey to be drawn from now on."Each of Mickey's hands has only three fingers and a thumb. Disney said that this was both an artistic and financial decision, explaining "Artistically five digits are too many for a mouse. His hand would look like a bunch of bananas. Financially, not having an extra finger in each of 45,000 drawings that make up a six and one half minute short has saved the Studio millions." In the film The Opry House (1929), Mickey was given his white gloves which were a simple way of contrasting his naturally black hands against his black body.Mickey's eyes, as drawn in Plane Crazy and The Gallopin' Gaucho, were large and white and defined by black outlines. In Steamboat Willie the black outlines were removed, although the upper edges still contrasted with his head. Mickey's eyes were later re-imagined as only consisting of the small black dots which were his pupils, while what were the upper edges of his eyes became a hairline. This is evident only when Mickey blinks. Fred Moore later redesigned the eyes to be small white eyes with pupils and gave his face a Caucasian skin tone instead of plain white. This new Mickey first appeared in 1938 on the cover of a party program, and in animation the following year with the release of The Pointer.[12] Mickey is sometimes given eyebrows as seen in The Simple Things (1953) and in the comic strip, although he does not have eyebrows in his most recent appearances.Besides Mickey's gloves and shoes, he typically wears only a pair of shorts with two large buttons in the front. Although the animated Mickey was seen only in black and white for over seven years,[13] print images confirmed that the shorts were red. When Mickey is not wearing his red shorts, he is often still wearing red clothing. This includes a red bandmaster coat (The Band Concert, The Mickey Mouse Club), red overalls (Clock Cleaners, Boat Builders), a red cloak (Fantasia, Fun and Fancy Free), a red coat (Squatter's Rights, Mickey's Christmas Carol), and a red shirt (Mickey Down Under, The Simple Things).The Shnookums and Meat Funny Cartoon Show is an Animated Comedy television series produced by Walt Disney Television Animation and aired in 1995[1] as a spin-off of the show Marsupilami. The show was Disney's attempt to create a more "Edgy" cartoon in the vein of The Ren & Stimpy Show, and Rocko's Modern Life.This segment involves a cat named Shnookums (voiced by Jason Marsden) and a dog named Meat (voiced by Frank Welker) who did not get along very well. Their owners are unseen stock characters only viewed from the neck down and named (appropriately enough) Husband & Wife (voiced by Steve Mackall and Tress MacNeille). Husband is always referring to their home as their "domicile" before the two leave their pets in charge while they are away.A spoof of the Batman comics (not unlike Darkwing Duck, only more extreme in its spoofing) with Pith Possum (voiced by Jeff Bennett) and his sidekick Obediah the Wonder Raccoon (voiced by Patric Zimmerman) fighting crime in Possum City when called by Commissioner Stress the Gorilla (voiced by Brad Garrett). Pith Possum's true identity is lowly tabloid copyboy Peter Possum. Pith Possum fights various enemies with his recurring one being a mad lumberjack named Dr. Paul Bunion (voiced by Jim Cummings). Pith Possum (even when in his true identity) also has developed a crush on a female human reporter named Doris Deer (voiced by April Winchell). It was stated that Pith Possum was an ordinary lab opossum until he gained ultra opossum-like abilities upon an experiment gone wrong. The titles of the episodes are completely unrelated to their contents but rather (usually) over the top titles always using the word 'dark' or 'darkness' and often with the words 'black' and 'night' (e.g., The Phantom Mask of the Dark Black Darkness of Black, Return of the Night of Blacker Darkness, Return of the Dark Mask of Phantom Blackness, etc.)A parody of Western serials involving the cowboy Tex Tinstar (voiced by Jeff Bennett), his horse Here Boy, and Tex's friends Smelly Deputy Chafe (voiced by Charlie Adler), Percy Lacedaisy (voiced by Corey Burton), and Floyd the Insane Rattlesnake (voiced by Jess Harnell) who always get into trouble when pursuing a group of outlaws called the Wrong Riders consisting of Wrongo (voiced by Brad Garrett), Ian (voiced by Corey Burton in a homage to Paul Frees character Inspector Fenwick from Dudley Do-Right), and Clem. The end of each episode ends in a cliffhanger for next week (not unlike the serials or "Rocky and Bullwinkle"). Jim Cummings narrated each installment.This segment involves a cat named Shnookums (voiced by Jason Marsden) and a dog named Meat (voiced by Frank Welker) who did not get along very well. Their owners are unseen stock characters only viewed from the neck down and named (appropriately enough) Husband & Wife (voiced by Steve Mackall and Tress MacNeille). Husband is always referring to their home as their "domicile" before the two leave their pets in charge while they are away.

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