Cartoon Pictures To Draw Biography
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Cartoon Pictures To Draw Images Pics Photos Wallpapers Pictures, known to the world as "Herblock" from his famous cartoon signature, was born in Chicago, Illinois, on October 13, 1909. He began his remarkable seventy-two year career as a professional cartoonist in 1929, working for the Chicago Daily News and the Newspaper Enterprise Association (NEA). In 1946, he joined the Washington Post, where he remained for fifty-five years, until he died in Washington, D.C. on October 7, 2001.Editorial cartoon shows two men examing three long lines of footprints leaving the White House, one labeled "Bugging Case," another "Nixon Fund Scandals" and the third " Intervention on ITT Case." Herblock is pointing the blame towards Nixon within days of the June 17, 1972 break-in at the DNC headquarters at the Watergate Hotel.Strange - they all seem to have some connection with this place", 1972 June 23.hdl.loc.gov/loc.pnp/ppmsca.13650A master of editorial cartooning, Block wielded his pen effectively and artfully, using it to condemn corruption and expose injustice, inequality, and immorality. Through his compelling cartoons he influenced public opinion and affected prominent elected officials. Block aggravated politicians, including Senator Joseph McCarthy, who publicly denounced him, and Spiro Agnew, President Richard Nixon's first vice president, who disparaged him as a "master of sick invective." An independent spirit, Block broke ranks with his publishers on specific issues and voiced his own opinion in every cartoon he drew. He received prestigious awards and critical acclaim from his peers, winning three Pulitzer Prizes (in 1942, 1954, and 1979) and sharing a fourth with Washington Post colleagues for coverage of the Watergate scandal in 1973.As a cartoon chronicler of the twentieth century, Herb Block has few peers in terms of longevity, productivity, and critical acclaim. Over his seven-decade career, he practiced the art with fearless independence, creating visual metaphors that embodied his strong, well-informed opinions on the critical issues and public figures of his day and yielded keen insight into world leaders' motives and actions. A number of examples were remarkably prescient, as seen in his cartoon of footprints leading to the White House during the Watergate scandal.He was a tireless advocate for civil and human rights for all people; equality of opportunity for all, including immigrants; and strong limitations on arms, particularly guns and nuclear weapons. Block will also be remembered for his bold stances against injustice, abuse of power, betrayal of the public trust, terrorist acts perpetrated by religious and political extremists, and mindless violence.Carl Giles was born in Islington, north London, on 29 September 1916. His father, Albert Giles, was a tobacconist, but his mother was the daughter of a Norfolk farmer and he spent his school holidays in East Anglia. Giles attended Barnsbury Park School - where he was taught by the severe, skeletal Mr Chalk who later featured in his cartoons - but had no formal art training. As Giles later acknowledged, the closest he came to art training was the encouragement of Sir Alfred Munnings, President of the Royal Academy, to whom his uncle was butler.Carl GilesLeaving school aged fourteen, Giles worked as an office boy for a Wardour Street film company, but then progressed to becoming a junior animator on cartoons. He moved to Elstree, where from 1935 he worked for Alexander Korda, and was one of the principal animators on the first full-length British colour cartoon film with sound, The Fox Hunt. After The Fox Hunt was completed, Giles went to Ipswich to join Roland Davies, who was setting up a studio to animate his popular newspaper strip "Come On Steve". Six ten-minute films were produced, beginning with Steve Steps Out in 1936, but although Giles was the head animator, he received no screen credit. On the death of his brother in 1937, Giles returned to London, and, after speculatively submitting work, got a job as staff artist on the left-wing weekly Reynolds News, producing single-panel cartoons and the strip "Young Ernie".Giles was much influenced by the Punch cartoons of Graham Laidler - "Pont" - and later admitted that when Laidler died in 1941 it was "the same sort of shock as when someone dies in the family": "I missed his drawings and went on missing them." His "Young Ernie" strip was noted by John Gordon, editor of the Sunday Express, and in 1943 Giles was invited to the Beaverbrook headquarters in Fleet Street to be interviewed for a job on the Evening Standard. As it turned out he was offered a job on the Daily Express and Sunday Express, at a higher salary than he was getting, and duly left Reynolds News, taking his strip with him. His first cartoon for his new employer appeared in the Sunday Express of 3 October 1943.Carl Giles - wartimeIn 1943 Giles moved to Ipswich, where he set up a studio. A motor-cycle accident had left him blind in one eye and deaf in one ear, so he was rejected for war service, but during the war he made cartoon films for the Ministry of Information, including One Pair of Nostrils for the Ministry of Health, and, in 1944, The Grenade. His cartoons were also reproduced as posters for the Railway Executive Committee and others. In 1945 he became the Daily Express "War Correspondent Cartoonist" with the 2nd Army. Giles was best known for his Express "family", which first appeared in a published cartoon on 5 August 1945, and had enormous popular appeal.In 1948 Strube was sacked and Giles took his job on the Daily Express. However, he insisted on cartooning no more than three days a week - two cartoons for the Daily Express, where from 1949 he alternated with Cummings, and one for the Sunday Express. Yet he could still be late with his cartoons, which had to be sent down from Ipswich. He proved to be strongest in social comment, and in 1949 Arthur Christiansen, editor of the Daily Express, told Beaverbrook that his political skills were weak: "I do not think that Giles could possibly compete in Low's field. He is not a political cartoonist. Whenever he tries this line of country, he flops badly." Despite being praised by Vicky as "a present-day Hogarth", he never succeeded in this area.Carl Giles - GAPH00051Giles also contributed to Men Only and other publications, drew advertising cartoons for Guinness, Fisons and others, and designed Christmas cards for the RNLI, Royal National Institute for the Deaf and Game Conservancy Research Fund. In 1959 he was awarded the OBE. Giles cited his influences as Bairnsfather and Pont, and he himself directly influenced the style of Jak, Mac and others. He set his cartoon figures against elaborately-detailed naturalistic backgrounds, often with fascinating sub-plots occurring away from the main focus of the picture. He never submitted roughs, observing that "I can't work that way - I just sit down and draw the thing." He also never worked at the Express's office in London but sent his drawings in from his home in Ipswich, Suffolk.Sending his cartoons from Ipswich allowed Giles to play games with the newspaper's editorial staff. The cartoonist Mel Calman, who joined the Daily Express in 1957, recalled that a member of staff on the picture desk pored over Giles' cartoon each night: "I watched him scanning the drawing very carefully and asked him why he gave it this careful scrutiny. 'Giles once sneaked in a packet of Durex right on the back shelf of one of his crowded shop scenes and since then I check every inch of his cartoons.' And he laughed affectionately."Giles continued to avoid political caricature, although just occasionally public figures did appear among the stock characters - as in his cartoon on 12 May 1970, which featured the opening of a cartoon exhibition at the National Portrait Gallery, and included Harold Wilson and Edward Heath. He was generally treated with enormous care at the Express, but he was fundamentally shy and could be petulant. On a number of occasions he threatened resignation. Lynn Barber, who joined the Sunday Express in 1982, recalled how "editors and picture editors quailed before him and silently endured the thrice-weekly nightmare of getting his work from Ipswich": "When the trains were delayed they sent a taxi; when Giles was snowed in, they sent a helicopter. His rare trips to London for lunch with the editor were as meticulously planned as a royal visit."Carl GilesIn 1989, Giles finally parted company with The Daily Express, after the editor, Nick Lloyd, called his bluff. His cartoons were now being allocated less space in the paper, and he came to London for lunch with the editor. After waiting an hour and a half for Lloyd in a restaurant, Giles was told by a waitress that the meeting had been cancelled. As he later explained, "I just thought, 'sod this'", and walked out. He continued working for the Sunday Express until 1991.Giles claimed to be a Socialist - "a dirty leftist" - supported the trade union movement, and hated Mrs Thatcher. Yet he was comfortable with the limited horizons of Middle England, and his cartoons did nothing to extend them. The "Giles Family" was the bizarre fantasy of a working-class household living a comfortable middle-class life, and, as Nicholas Lezard wrote in 1994, "one wonders whether the aspirational, acquisitive working class was as much his creation as Mrs Thatcher's." Giles died in hospital in Ipswich, Suffolk, on 27 August 1995.eem Trivedi (born 17 February 1987) is a controversial Indian political cartoonist and activist, best known for his anti corruption campaign Cartoons Against Corruption. He is a founder member of Save Your Voice, a movement against internet censorship in India.Aseem Trivedi was exhibiting his political cartoons from Cartoons Against Corruption in the anti-corruption protests at the MMRDA grounds, when his website was suspended by Crime Branch, Mumbai. It was only 27 December 2011, the first day of the protest, when he received an email from BigRock, the domain name registrar with which his website was registered, saying, "We have received a complaint from Crime Branch, Mumbai against domain name 'cartoonsagainstcorruption.com' for displaying objectionable pictures and texts related to flag and emblem of India. Hence we have suspended the domain name and its associated services."[1]The site was suspended after a complaint to the Mumbai Crime Branch by a Mumbai-based advocate and congress leader, R.P. Pandey. The complaint stated that “defamatory and derogatory cartoons” were displayed as posters during Mr. Hazare’s hunger strike in Mumbai. Noting that the posters were created by Aseem Trivedi and “are believed to be made at the instance of Shri Anna Hazare,” the complaint requested “strict legal action in the matter.”[4]Following his website's ban, he lost no time in uploading all the cartoons to a blog he quickly created.[5]After the ban on his website, Aseem Trivedi along with his friend Alok Dixit started Save Your Voice, a campaign for internet freedom. Save Your Voice soon earned mass support and became a public movement. Through the creative protests in several cities, Save Your Voice, initiated a debate over internet freedom in India. ‘Save your voice’ campaign went viral. There were Facebook pages and posts and a cheeky ‘wish Kapil Sibal day’ on April 1, on All Fools Day, to draw attention to the stand of the Union Information Technology minister against allegedly objectionable content on the internet.[5][9][10]The campaign was targeted at the draconian rules framed under the Information Technology Act, 2000. It received an unexpected fillip with the arrest of Kolkata professor Ambikesh Mahapatra in April 2012 for emailing a cartoon that poked fun at West Bengal Chief Minister Mamata Banerjee to members of the cooperative housing society he was the secretary of. The arrest drew widespread opprobrium from all quarters. Protests against the arrests followed and spawned another rash of cartoons poking fun at the West Bengal Chief Minister’s sense of humour. A cartoon academy in Kerala even hosted an online cartoon exhibition as a mark of protest.[5]Team Save Your Voice, comprising writers, artists and musicians, organised a protest and sat inside cages set up at Jantar Mantar with the slogan ‘Freedom in the Cage', symbolising how the IT Rules ‘caged' the freedom of the people granted by the Constitution.[11]Aseem Trivedi began Freedom Fast, an indefinite hunger strike for internet freedom, along with journalist Alok Dixit at Jantar Mantar, New Delhi. The motive of the hunger strike was to request political parties to support the annulment motion against the Intermediary Guideline Rules of the Information Technology Act 2011 of India. Foreign Policy considers this fast as the ‘most colorful highlights’ from the internet freedom movement in India.[12]Rebecca Mackinnon writes, “A lively national Internet freedom movement has grown rapidly across India since the beginning of this year. The most colorful highlight so far was a seven-day Gandhian hunger strike, otherwise known as a "freedom fast ," held in early May on a New Delhi sidewalk by political cartoonist Aseem Trivedi and activist-journalist Alok Dixit.” [12]Reporters Without Borders criticized Indian Government in their press release saying, “Two of the movement’s campaigners, the cartoonist Aseem Trivedi and the citizen journalist Alok Dixit, were forced today to end a hunger strike they began on 2 May. Their health had deteriorated considerably and they were hospitalized.”[13]The cartoons in the controversy parody India’s national symbols, and are drawn to make a point on corruption in the government. One cartoon depicts the Indian Parliament building as a toilet. At the right end of the cartoon, a little above the halfway line, there is a roller with toilet paper. To the left, there is a pink flush, attached to a commode below with three flies hovering over it. The commode looks like the Indian Parliament. ‘National Toilet,’ says the cartoon’s title, with this line beneath the sketch: ‘Isme istamal hone wale toilet paper ko ballot paper bhi kehte hain’ (the toilet paper used here is also called Ballot paper).[14]Another offending cartoon redraws India’s national emblem of the four Sarnath lions of King Asoka that sit above the motto “Satyameva Jayate” (truth alone shall triumph) as bloodthirsty wolves underscored with the motto “Bhrashtamev Jayate” (long live corruption).And yet another features the “Mother India,” wearing a tri-color sari, about to be raped by a character labeled “Corruption." The title of the cartoon is "Gang Rape of Mother India." Another cartoon shows politics and corruption in a sexual position to expose their immoral relationship. The line beneath the cartoon reads, "The immoral relationships are always harmful for a house hold."[14][15]The Cartoonists Rights Network International urged the authorities in the world’s largest democracy to stand up for free speech and put an end to all the attempts to silence Aseem’s political speech. Dr. Robert Russell, Executive Director of CRNI, commented, "Aseem’s enemies either don’t know how to interpret symbols in editorial cartoons or are knowingly twisting the law to silence dissent in order to shield corrupt officials."
Source(Google.com.pk)
Cartoon Pictures To Draw Images Pics Photos Wallpapers Pictures, known to the world as "Herblock" from his famous cartoon signature, was born in Chicago, Illinois, on October 13, 1909. He began his remarkable seventy-two year career as a professional cartoonist in 1929, working for the Chicago Daily News and the Newspaper Enterprise Association (NEA). In 1946, he joined the Washington Post, where he remained for fifty-five years, until he died in Washington, D.C. on October 7, 2001.Editorial cartoon shows two men examing three long lines of footprints leaving the White House, one labeled "Bugging Case," another "Nixon Fund Scandals" and the third " Intervention on ITT Case." Herblock is pointing the blame towards Nixon within days of the June 17, 1972 break-in at the DNC headquarters at the Watergate Hotel.Strange - they all seem to have some connection with this place", 1972 June 23.hdl.loc.gov/loc.pnp/ppmsca.13650A master of editorial cartooning, Block wielded his pen effectively and artfully, using it to condemn corruption and expose injustice, inequality, and immorality. Through his compelling cartoons he influenced public opinion and affected prominent elected officials. Block aggravated politicians, including Senator Joseph McCarthy, who publicly denounced him, and Spiro Agnew, President Richard Nixon's first vice president, who disparaged him as a "master of sick invective." An independent spirit, Block broke ranks with his publishers on specific issues and voiced his own opinion in every cartoon he drew. He received prestigious awards and critical acclaim from his peers, winning three Pulitzer Prizes (in 1942, 1954, and 1979) and sharing a fourth with Washington Post colleagues for coverage of the Watergate scandal in 1973.As a cartoon chronicler of the twentieth century, Herb Block has few peers in terms of longevity, productivity, and critical acclaim. Over his seven-decade career, he practiced the art with fearless independence, creating visual metaphors that embodied his strong, well-informed opinions on the critical issues and public figures of his day and yielded keen insight into world leaders' motives and actions. A number of examples were remarkably prescient, as seen in his cartoon of footprints leading to the White House during the Watergate scandal.He was a tireless advocate for civil and human rights for all people; equality of opportunity for all, including immigrants; and strong limitations on arms, particularly guns and nuclear weapons. Block will also be remembered for his bold stances against injustice, abuse of power, betrayal of the public trust, terrorist acts perpetrated by religious and political extremists, and mindless violence.Carl Giles was born in Islington, north London, on 29 September 1916. His father, Albert Giles, was a tobacconist, but his mother was the daughter of a Norfolk farmer and he spent his school holidays in East Anglia. Giles attended Barnsbury Park School - where he was taught by the severe, skeletal Mr Chalk who later featured in his cartoons - but had no formal art training. As Giles later acknowledged, the closest he came to art training was the encouragement of Sir Alfred Munnings, President of the Royal Academy, to whom his uncle was butler.Carl GilesLeaving school aged fourteen, Giles worked as an office boy for a Wardour Street film company, but then progressed to becoming a junior animator on cartoons. He moved to Elstree, where from 1935 he worked for Alexander Korda, and was one of the principal animators on the first full-length British colour cartoon film with sound, The Fox Hunt. After The Fox Hunt was completed, Giles went to Ipswich to join Roland Davies, who was setting up a studio to animate his popular newspaper strip "Come On Steve". Six ten-minute films were produced, beginning with Steve Steps Out in 1936, but although Giles was the head animator, he received no screen credit. On the death of his brother in 1937, Giles returned to London, and, after speculatively submitting work, got a job as staff artist on the left-wing weekly Reynolds News, producing single-panel cartoons and the strip "Young Ernie".Giles was much influenced by the Punch cartoons of Graham Laidler - "Pont" - and later admitted that when Laidler died in 1941 it was "the same sort of shock as when someone dies in the family": "I missed his drawings and went on missing them." His "Young Ernie" strip was noted by John Gordon, editor of the Sunday Express, and in 1943 Giles was invited to the Beaverbrook headquarters in Fleet Street to be interviewed for a job on the Evening Standard. As it turned out he was offered a job on the Daily Express and Sunday Express, at a higher salary than he was getting, and duly left Reynolds News, taking his strip with him. His first cartoon for his new employer appeared in the Sunday Express of 3 October 1943.Carl Giles - wartimeIn 1943 Giles moved to Ipswich, where he set up a studio. A motor-cycle accident had left him blind in one eye and deaf in one ear, so he was rejected for war service, but during the war he made cartoon films for the Ministry of Information, including One Pair of Nostrils for the Ministry of Health, and, in 1944, The Grenade. His cartoons were also reproduced as posters for the Railway Executive Committee and others. In 1945 he became the Daily Express "War Correspondent Cartoonist" with the 2nd Army. Giles was best known for his Express "family", which first appeared in a published cartoon on 5 August 1945, and had enormous popular appeal.In 1948 Strube was sacked and Giles took his job on the Daily Express. However, he insisted on cartooning no more than three days a week - two cartoons for the Daily Express, where from 1949 he alternated with Cummings, and one for the Sunday Express. Yet he could still be late with his cartoons, which had to be sent down from Ipswich. He proved to be strongest in social comment, and in 1949 Arthur Christiansen, editor of the Daily Express, told Beaverbrook that his political skills were weak: "I do not think that Giles could possibly compete in Low's field. He is not a political cartoonist. Whenever he tries this line of country, he flops badly." Despite being praised by Vicky as "a present-day Hogarth", he never succeeded in this area.Carl Giles - GAPH00051Giles also contributed to Men Only and other publications, drew advertising cartoons for Guinness, Fisons and others, and designed Christmas cards for the RNLI, Royal National Institute for the Deaf and Game Conservancy Research Fund. In 1959 he was awarded the OBE. Giles cited his influences as Bairnsfather and Pont, and he himself directly influenced the style of Jak, Mac and others. He set his cartoon figures against elaborately-detailed naturalistic backgrounds, often with fascinating sub-plots occurring away from the main focus of the picture. He never submitted roughs, observing that "I can't work that way - I just sit down and draw the thing." He also never worked at the Express's office in London but sent his drawings in from his home in Ipswich, Suffolk.Sending his cartoons from Ipswich allowed Giles to play games with the newspaper's editorial staff. The cartoonist Mel Calman, who joined the Daily Express in 1957, recalled that a member of staff on the picture desk pored over Giles' cartoon each night: "I watched him scanning the drawing very carefully and asked him why he gave it this careful scrutiny. 'Giles once sneaked in a packet of Durex right on the back shelf of one of his crowded shop scenes and since then I check every inch of his cartoons.' And he laughed affectionately."Giles continued to avoid political caricature, although just occasionally public figures did appear among the stock characters - as in his cartoon on 12 May 1970, which featured the opening of a cartoon exhibition at the National Portrait Gallery, and included Harold Wilson and Edward Heath. He was generally treated with enormous care at the Express, but he was fundamentally shy and could be petulant. On a number of occasions he threatened resignation. Lynn Barber, who joined the Sunday Express in 1982, recalled how "editors and picture editors quailed before him and silently endured the thrice-weekly nightmare of getting his work from Ipswich": "When the trains were delayed they sent a taxi; when Giles was snowed in, they sent a helicopter. His rare trips to London for lunch with the editor were as meticulously planned as a royal visit."Carl GilesIn 1989, Giles finally parted company with The Daily Express, after the editor, Nick Lloyd, called his bluff. His cartoons were now being allocated less space in the paper, and he came to London for lunch with the editor. After waiting an hour and a half for Lloyd in a restaurant, Giles was told by a waitress that the meeting had been cancelled. As he later explained, "I just thought, 'sod this'", and walked out. He continued working for the Sunday Express until 1991.Giles claimed to be a Socialist - "a dirty leftist" - supported the trade union movement, and hated Mrs Thatcher. Yet he was comfortable with the limited horizons of Middle England, and his cartoons did nothing to extend them. The "Giles Family" was the bizarre fantasy of a working-class household living a comfortable middle-class life, and, as Nicholas Lezard wrote in 1994, "one wonders whether the aspirational, acquisitive working class was as much his creation as Mrs Thatcher's." Giles died in hospital in Ipswich, Suffolk, on 27 August 1995.eem Trivedi (born 17 February 1987) is a controversial Indian political cartoonist and activist, best known for his anti corruption campaign Cartoons Against Corruption. He is a founder member of Save Your Voice, a movement against internet censorship in India.Aseem Trivedi was exhibiting his political cartoons from Cartoons Against Corruption in the anti-corruption protests at the MMRDA grounds, when his website was suspended by Crime Branch, Mumbai. It was only 27 December 2011, the first day of the protest, when he received an email from BigRock, the domain name registrar with which his website was registered, saying, "We have received a complaint from Crime Branch, Mumbai against domain name 'cartoonsagainstcorruption.com' for displaying objectionable pictures and texts related to flag and emblem of India. Hence we have suspended the domain name and its associated services."[1]The site was suspended after a complaint to the Mumbai Crime Branch by a Mumbai-based advocate and congress leader, R.P. Pandey. The complaint stated that “defamatory and derogatory cartoons” were displayed as posters during Mr. Hazare’s hunger strike in Mumbai. Noting that the posters were created by Aseem Trivedi and “are believed to be made at the instance of Shri Anna Hazare,” the complaint requested “strict legal action in the matter.”[4]Following his website's ban, he lost no time in uploading all the cartoons to a blog he quickly created.[5]After the ban on his website, Aseem Trivedi along with his friend Alok Dixit started Save Your Voice, a campaign for internet freedom. Save Your Voice soon earned mass support and became a public movement. Through the creative protests in several cities, Save Your Voice, initiated a debate over internet freedom in India. ‘Save your voice’ campaign went viral. There were Facebook pages and posts and a cheeky ‘wish Kapil Sibal day’ on April 1, on All Fools Day, to draw attention to the stand of the Union Information Technology minister against allegedly objectionable content on the internet.[5][9][10]The campaign was targeted at the draconian rules framed under the Information Technology Act, 2000. It received an unexpected fillip with the arrest of Kolkata professor Ambikesh Mahapatra in April 2012 for emailing a cartoon that poked fun at West Bengal Chief Minister Mamata Banerjee to members of the cooperative housing society he was the secretary of. The arrest drew widespread opprobrium from all quarters. Protests against the arrests followed and spawned another rash of cartoons poking fun at the West Bengal Chief Minister’s sense of humour. A cartoon academy in Kerala even hosted an online cartoon exhibition as a mark of protest.[5]Team Save Your Voice, comprising writers, artists and musicians, organised a protest and sat inside cages set up at Jantar Mantar with the slogan ‘Freedom in the Cage', symbolising how the IT Rules ‘caged' the freedom of the people granted by the Constitution.[11]Aseem Trivedi began Freedom Fast, an indefinite hunger strike for internet freedom, along with journalist Alok Dixit at Jantar Mantar, New Delhi. The motive of the hunger strike was to request political parties to support the annulment motion against the Intermediary Guideline Rules of the Information Technology Act 2011 of India. Foreign Policy considers this fast as the ‘most colorful highlights’ from the internet freedom movement in India.[12]Rebecca Mackinnon writes, “A lively national Internet freedom movement has grown rapidly across India since the beginning of this year. The most colorful highlight so far was a seven-day Gandhian hunger strike, otherwise known as a "freedom fast ," held in early May on a New Delhi sidewalk by political cartoonist Aseem Trivedi and activist-journalist Alok Dixit.” [12]Reporters Without Borders criticized Indian Government in their press release saying, “Two of the movement’s campaigners, the cartoonist Aseem Trivedi and the citizen journalist Alok Dixit, were forced today to end a hunger strike they began on 2 May. Their health had deteriorated considerably and they were hospitalized.”[13]The cartoons in the controversy parody India’s national symbols, and are drawn to make a point on corruption in the government. One cartoon depicts the Indian Parliament building as a toilet. At the right end of the cartoon, a little above the halfway line, there is a roller with toilet paper. To the left, there is a pink flush, attached to a commode below with three flies hovering over it. The commode looks like the Indian Parliament. ‘National Toilet,’ says the cartoon’s title, with this line beneath the sketch: ‘Isme istamal hone wale toilet paper ko ballot paper bhi kehte hain’ (the toilet paper used here is also called Ballot paper).[14]Another offending cartoon redraws India’s national emblem of the four Sarnath lions of King Asoka that sit above the motto “Satyameva Jayate” (truth alone shall triumph) as bloodthirsty wolves underscored with the motto “Bhrashtamev Jayate” (long live corruption).And yet another features the “Mother India,” wearing a tri-color sari, about to be raped by a character labeled “Corruption." The title of the cartoon is "Gang Rape of Mother India." Another cartoon shows politics and corruption in a sexual position to expose their immoral relationship. The line beneath the cartoon reads, "The immoral relationships are always harmful for a house hold."[14][15]The Cartoonists Rights Network International urged the authorities in the world’s largest democracy to stand up for free speech and put an end to all the attempts to silence Aseem’s political speech. Dr. Robert Russell, Executive Director of CRNI, commented, "Aseem’s enemies either don’t know how to interpret symbols in editorial cartoons or are knowingly twisting the law to silence dissent in order to shield corrupt officials."
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