Cartoon From Picture Biography
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A cartoonist is a visual artist who specializes in drawing cartoons. This work is often created for entertainment, political commentary or advertising. Cartoonists may work in many formats, such as animation, booklets, comic strips, comic books, editorial cartoons, graphic novels, manuals, gag cartoons, graphic design, illustrations, storyboards, posters, shirts, books, advertisements, greeting cards, magazines newspapers or video game packaging.The English satirist and editorial cartoonist William Hogarth, who emerged In the 18th century, has been credited with pioneering Western sequential art. His work ranged from realistic portraiture to comic strip-like series of pictures called "modern moral subjects". Much of his work poked fun at contemporary politics and customs; illustrations in such style are often referred to as "Hogarthian".[1]While never a professional cartoonist, Benjamin Franklin is credited with having the first cartoon published in an American newspaper.[2] In the 19th century, professional cartoonists such as Thomas Nast introduced other familiar American political symbols, such as the Republican elephant.[2]
Cartoon of a snake severed in eight pieces, each piece labeled with the initials of an American colony. The caption reads, "Join, or Die".Benjamin Franklin's "Join, or Die" (1754), credited as the first cartoon published in an American newspaper.man in late middle-age, facing left, drawing at an upright drawing board.Charles Dana Gibson was an influential American cartoonist in the early 20th century.During the 20th century, numerous magazines carried single-panel gag cartoons by such freelance cartoonists as Charles Addams, Irwin Caplan, Chon Day, Clyde Lamb and John Norment. These were almost always published in black and white, although Collier's often carried cartoons in color. The debut of Playboy introduced full-page color cartoons by Jack Cole, Eldon Dedini and others. Single-panel cartoonists syndicated to newspapers included Dave Breger, Hank Ketcham, George Lichty, Fred Neher, Irving Phillips and J. R. Williams.Comic strips received widespread distribution to mainstream newspapers by syndicates[3] such as the Universal Press Syndicate, United Media or King Features. Sunday strips go to a coloring company such as American Color before they are published.Some comic strip creators publish in the alternative press or on the Internet. Comic strip artists may also sometimes work in book-length form, creating graphic novels. Both vintage and current strips receive reprints in book collections.The major comic book publishers (such as Marvel or DC) utilize teams of cartoonists to produce the art (typically separating pencil work, inking and lettering while the color is added digitally by colorists). When a consistent artistic style is wanted among different cartoonists (such as Archie Comics), character model sheets may be used as reference.MacKenzie, in his preface to the exhibition catalog, The Scottish Cartoonists (Glasgow Print Studio Gallery, 1979) defined the selection criteria: The difference between a cartoonist and an illustrator was the same as the difference between a comedian and a comedy actor—the former both deliver their own lines and take full responsibility for them, the latter could always hide behindAnimated cartooning is created for short films, advertising, feature films and television. It is also sometimes used in live-action films for dream sequences or opening titles. An animation artist is commonly referred to as an animator rather than a cartoonist.There are many books of cartoons in both paperback and hardcover, such as the collections of cartoons from The New Yorker. Prior to the 1960s, cartoons were mostly ignored by museums and art galleries. In 1968, the cartoonist and comedian Roger Price opened the first New York City gallery devoted exclusively to cartoons, mainly work by the leading magazine gag cartoonists. Today, there are several museums devoted to cartoons, notably the Billy Ireland Cartoon Library & Museum, run by curator Jenny E. Robb at Ohio State University.Comics artists usually sketch a drawing in pencil before going over the drawing in India ink, using either a dip pen or a brush. Artists may also use a lightbox to create the final image in ink. Some artists, Brian Bolland for example,[5] use computer graphics, with the published work as the first physical appearance of the artwork. By many definitions (including McCloud's, above) the definition of comics extends to digital media such as webcomics and the mobile comic.The nature of the comics work being created determines the number of people who work on its creation, with successful comic strips and comic books being produced through a studio system, in which an artist assembles a team of assistants to help create the work. However, works from independent companies, self-publishers or those of a more personal nature can be produced by a single creator.Within the comic book industry of the United States, the studio system has come to be the main method of creation. Through its use by the industry, the roles have become heavily codified, and the managing of the studio has become the company's responsibility, with an editor discharging the management duties. The editor assembles a number of creators and oversees the work to publication.Any number of people can assist in the creation of a comic book in this way, from a plotter, a breakdown artist, a penciller, an inker, a scripter, a letterer and a colorist, with some roles being performed by the same person.In contrast, a comic strip tends to be the work of a sole creator, usually termed a cartoonist. However, it is not unusual for a cartoonist to employ the studio method, particularly when a strip become successful. Mort Walker employed a studio, while Bill Watterson eschewed the studio method, preferring to create the strip himself. Gag, political and editorial cartoonists tend to work alone as well, though a cartoonist may use assistants.While almost all comics art is in some sense abbreviated, and also while every artist who has produced comics work brings their own individual approach to bear, some broader art styles have been identified. Comic strip artists Cliff Sterrett, Frank King and Gus Arriola often used unusual, colorful backgrounds, sometimes veering into abstract art.The basic styles have been identified as realistic and cartoony, with a huge middle ground for which R. Fiore has coined the phrase liberal. Fiore has also expressed distaste with the terms realistic and cartoony, preferring the terms literal and freestyle, respectively.[6]Scott McCloud has created "The Big Triangle"[7] as a tool for thinking about comics art. He places the realistic representation in the bottom left corner, with iconic representation, or cartoony art, in the bottom right, and a third identifier, abstraction of image, at the apex of the triangle. This allows placement and grouping of artists by triangulation. the fact that it was not his entire creation.[4]
Source(Google.com.pk)
A cartoonist is a visual artist who specializes in drawing cartoons. This work is often created for entertainment, political commentary or advertising. Cartoonists may work in many formats, such as animation, booklets, comic strips, comic books, editorial cartoons, graphic novels, manuals, gag cartoons, graphic design, illustrations, storyboards, posters, shirts, books, advertisements, greeting cards, magazines newspapers or video game packaging.The English satirist and editorial cartoonist William Hogarth, who emerged In the 18th century, has been credited with pioneering Western sequential art. His work ranged from realistic portraiture to comic strip-like series of pictures called "modern moral subjects". Much of his work poked fun at contemporary politics and customs; illustrations in such style are often referred to as "Hogarthian".[1]While never a professional cartoonist, Benjamin Franklin is credited with having the first cartoon published in an American newspaper.[2] In the 19th century, professional cartoonists such as Thomas Nast introduced other familiar American political symbols, such as the Republican elephant.[2]
Cartoon of a snake severed in eight pieces, each piece labeled with the initials of an American colony. The caption reads, "Join, or Die".Benjamin Franklin's "Join, or Die" (1754), credited as the first cartoon published in an American newspaper.man in late middle-age, facing left, drawing at an upright drawing board.Charles Dana Gibson was an influential American cartoonist in the early 20th century.During the 20th century, numerous magazines carried single-panel gag cartoons by such freelance cartoonists as Charles Addams, Irwin Caplan, Chon Day, Clyde Lamb and John Norment. These were almost always published in black and white, although Collier's often carried cartoons in color. The debut of Playboy introduced full-page color cartoons by Jack Cole, Eldon Dedini and others. Single-panel cartoonists syndicated to newspapers included Dave Breger, Hank Ketcham, George Lichty, Fred Neher, Irving Phillips and J. R. Williams.Comic strips received widespread distribution to mainstream newspapers by syndicates[3] such as the Universal Press Syndicate, United Media or King Features. Sunday strips go to a coloring company such as American Color before they are published.Some comic strip creators publish in the alternative press or on the Internet. Comic strip artists may also sometimes work in book-length form, creating graphic novels. Both vintage and current strips receive reprints in book collections.The major comic book publishers (such as Marvel or DC) utilize teams of cartoonists to produce the art (typically separating pencil work, inking and lettering while the color is added digitally by colorists). When a consistent artistic style is wanted among different cartoonists (such as Archie Comics), character model sheets may be used as reference.MacKenzie, in his preface to the exhibition catalog, The Scottish Cartoonists (Glasgow Print Studio Gallery, 1979) defined the selection criteria: The difference between a cartoonist and an illustrator was the same as the difference between a comedian and a comedy actor—the former both deliver their own lines and take full responsibility for them, the latter could always hide behindAnimated cartooning is created for short films, advertising, feature films and television. It is also sometimes used in live-action films for dream sequences or opening titles. An animation artist is commonly referred to as an animator rather than a cartoonist.There are many books of cartoons in both paperback and hardcover, such as the collections of cartoons from The New Yorker. Prior to the 1960s, cartoons were mostly ignored by museums and art galleries. In 1968, the cartoonist and comedian Roger Price opened the first New York City gallery devoted exclusively to cartoons, mainly work by the leading magazine gag cartoonists. Today, there are several museums devoted to cartoons, notably the Billy Ireland Cartoon Library & Museum, run by curator Jenny E. Robb at Ohio State University.Comics artists usually sketch a drawing in pencil before going over the drawing in India ink, using either a dip pen or a brush. Artists may also use a lightbox to create the final image in ink. Some artists, Brian Bolland for example,[5] use computer graphics, with the published work as the first physical appearance of the artwork. By many definitions (including McCloud's, above) the definition of comics extends to digital media such as webcomics and the mobile comic.The nature of the comics work being created determines the number of people who work on its creation, with successful comic strips and comic books being produced through a studio system, in which an artist assembles a team of assistants to help create the work. However, works from independent companies, self-publishers or those of a more personal nature can be produced by a single creator.Within the comic book industry of the United States, the studio system has come to be the main method of creation. Through its use by the industry, the roles have become heavily codified, and the managing of the studio has become the company's responsibility, with an editor discharging the management duties. The editor assembles a number of creators and oversees the work to publication.Any number of people can assist in the creation of a comic book in this way, from a plotter, a breakdown artist, a penciller, an inker, a scripter, a letterer and a colorist, with some roles being performed by the same person.In contrast, a comic strip tends to be the work of a sole creator, usually termed a cartoonist. However, it is not unusual for a cartoonist to employ the studio method, particularly when a strip become successful. Mort Walker employed a studio, while Bill Watterson eschewed the studio method, preferring to create the strip himself. Gag, political and editorial cartoonists tend to work alone as well, though a cartoonist may use assistants.While almost all comics art is in some sense abbreviated, and also while every artist who has produced comics work brings their own individual approach to bear, some broader art styles have been identified. Comic strip artists Cliff Sterrett, Frank King and Gus Arriola often used unusual, colorful backgrounds, sometimes veering into abstract art.The basic styles have been identified as realistic and cartoony, with a huge middle ground for which R. Fiore has coined the phrase liberal. Fiore has also expressed distaste with the terms realistic and cartoony, preferring the terms literal and freestyle, respectively.[6]Scott McCloud has created "The Big Triangle"[7] as a tool for thinking about comics art. He places the realistic representation in the bottom left corner, with iconic representation, or cartoony art, in the bottom right, and a third identifier, abstraction of image, at the apex of the triangle. This allows placement and grouping of artists by triangulation. the fact that it was not his entire creation.[4]
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